Thursday, December 16, 2010

Ruined

If I were to put on a full production of ruined I would have it done in the Gilepsy theatre. I would want to have the production in a black box setting because I would want to make the audience feel as if they were really there.  Since there was only one setting in the book I would try my best to make it look exactly the way it was portrayed in the book. The book meant a lot to me because it had so much to do with the struggle my sister went through back in Haiti minus the whore house. I really like the feel and mood that author made happen in this play. I would hope that through my award winning production of ruined will warm and draw the hearts of many.
These type of masks would be hanging in the ceiling in the back of the stage. I want these masks to be there just to give the set a more African feel. I feel as though this will help the audience experience this African piece. I would want the bar in the play to look very old like its been there for years. The color of the bar would be dark brown. It would have piece of the wood showing, where the paint or stain came off and its down to the wood itself. The bar would have wear and tear . The table would be wooden a well a bright orange and yellow. The chairs also be wooden and would be a dark blue. The pool table would look fairly new not really old like the other pieces of furniture. The walls in the bar would be a plain brown. The walls wood we made of wood and it would have an ancient look and fell to it. The back room would have 3 beds and there would be a poster of a famous African American pop star. There would also be a little night sand with an ugly looking lamp. I would have the room look a little messy with brown unappealing sheets. There would be magazines and nail polish on the floor. It looks just like the bar area without the bar, table, chairs, and pool table that are in it.




As far as costuming goes this type of look is what I'm going for. Sophie would be dressed in softer color material and have a cute looking variation of the traditional African attire. I would basically have Sophie look like the girl in the middle. Salima on the other hand would be dressed in darker colors. Her and Josephine would be wearing more riskay clothes. My reasoning behind that would because they are the two main girls in the story we hear about dancing all over men and sleeping with them, so with that being said they would need to look the part and not be dressed as conservative. Mama Nadi would have more sophisticated look. Although she ran the whore house she had a very strong personality and she needs to stick out from the bunch. The person on the right side is  perfect example of what I would have her dressed in. During the last part of the play, I would want Mama Nadi to be wearing a nice green sun dress with white polka dots on it.  
Now I'm going to speak on the men's attire. Christian of course would be wearing his old brown suit basically throughout the whole play until the final scene. Then in the final scene Christian will be wear a nice suit. the color of this suit would be black with a white undershirt and a black tie. 

Osembenga and Kisembe would be dressed this way because they are men with a lot of power and this is a very strong look. Osembenga would be styled to look more powerful than Kisembe though. The way Osembenga would look would powerful than Kisembe, is his outfit would look brand new and it would make him see richer and a lot cleaner. Kisembe outfit would look like a hand-me-down. It would look like it have seen better days before he got it.


Instead of dressing the soldiers in traditional camouflage army clothes. I would want them to dress like the picture above. In the book they sounded really mean and dirty, so I feel as though that with their attire they need to portray that mean and dirty feeling. The government soldiers' outfits would look brand new, just like there leader. The rebel soldiers' outfits would look more older, just like their leader outfit. The man on the floor in the picture above, is a great example of how i would want the miners in my mock production should and will look like.





      

Now that I've got the basic design of my stage and the lighting down I've got to get into what I would do as far as sound!  Since Sophie sings the whole time and is accompanied by guitar players and drums I wouldn't really need to worry adding in any type of extra music during the play. Expect, the tropical Ituri rain forest. During intermission and some of the scene changes, I would play this type of song as you can watch and hear in the video clip above. 

My audience would be very diverse. I would want all different types of people to come watch this play. Its not a traditional play that families would go see together. So, I would only allow kids ages sixteen and up to see the show. There a lot of explicit language and sexual parts in this play. So, there would be a mandatory  parent advisory for minors, that are under the age of sixteen. 

Tuesday, November 16, 2010

Dearly Departed

First I would like to start off by saying the play was great and I was really entertained. I went to the show Friday and Sunday. The audience experience for these shows were completely different. The Friday show had a lot more people and the majority of the people that attended were young. I noticed that there was a bus load of kids that came and a lot of students I've seen around campus. Before the play started people were talking and carrying on about how excited they are to see the play. I've seen the play already twice so honestly I wasn't to excited and I didnt think I would be that entertained or find it funny because I already knew what was going to happen. To my suprise I was wrong. The very first scene had me laughing. I noticed that the audience was really paying attention and were pretty entertained. One thing that annoyed me was that some people did not turn off their phones and that was really annoying. Instead of rushing to turn of their phone off they let it ring for a while. Fridays performance the character that I think that got the most laughs from the audience would have to be Susanne. She was funny and the way she said her lines and made her face was hilarious. Delightful was funny too but when Susanne got on stage their was a weird energy in the audience. It felt like people expected to laugh because throughout the play she was just so funny. By the end of the performance the audience was on their feet and gave the actors a standing ovation. Sundays performance I would like to say in some cases was the exact opposite. The audience in the beginning sat in their seats very quietly, and they weren't talking very loud. This group was mostly filled with the elderly. They didnt seem to laugh as much and only really laughed when there was something said about the Lord. I guess I should have expected that with this age group that the parts that some young people might think is funny the elderly might not think so. The two characters that I think that made the best impression on sunday for that audience would have to be the spirtitual mother who always called her son a demon(I'm sorry I dont rememeber her name). Her jokes and everything she said really got to the audience. Susanne on the other hand seemed frowned upon by the audience. Since I saw the show already I was able to look around and look at the audience. The dramatic things she did were really funny to me but to this paticular audience it wasn't that funny. One part I remember that had everyone laughing on friday night was when she jumped on her husband junior during the ceremony, but sunday night people seemed to be more shocked and disgusted. The tolerance level for some things seemed to be really low. Another part that got a completely different reaction from friday's show is when the old women came out with her husband who was on a wheel chair. Friday's show no one seemed to think that scene was that funny, but on sunday the whole room was just laughing up a storm. At the end of sundays shows no one got up and gave a standing ovation. All in all I'm glad I went both days because it really helped write this blog.

Monday, October 25, 2010

Anna in the tropics[audience edition]

The moment I walked in there were people sitting in all three sections. I could hear people casually talking about their expectations of the play and how excited they were to watch their fellow peer perform. It was pretty quiet; no one was talking extremely loud or being obnoxious. Even though the show didnt start everyone was talking in low voices. I began to notice that when the show was suppose 2 start which was at 7:30 people began to stop their conversations and if not they would get even quieter. The show started around 7:36 by the way.
When the show started no one was talking everyone was paying really close attention to what was going on. The phones that people had out were put away and sileneced to show full respect to the actors. They laughed pretty loud at funny parts and stayed quiet for the others. The crowd seemed to be really into it and really follow the story. At the funny parts I couldn't help but laugh aloud with my fellow viewers. In a weird way I tried to match the tone or loudness of everyone else so that when I laughed I wasn't being to rowdy. I think in a sense everyone did that.Everyone seemed to have been laughing a pretty descent volume. I think laughing to loud would distract the performer and in some occasions may be seen as rude[but hey thats just me]. I was sitting in the front row on the right set of risers, so that would be stage left for the actor.  The majority of the audience were either sitting in the middle or the ones to the far left, which is stage right for the actor. Being in the seat I was in I couldn't really get a feel of how the audience felt about the performance. I really like the fact that I noticed the audience focusing on what the director wanted us to be looking at for the time being. For example in the beginning of the play There was a scene with two men betting on a rooster that I guess would win a fight. Then another set of actors came in and the previous ones were frozen and the lights didnt shine on them. To me, It was pretty cool to see how different techniques could get an audience to focus on something else; even though I'm sure there may have been a couple of people that may have been interested in the frozen male actors.  Another part that really spoke wonders on what type of audience we had that night was when they began to do intimate scenes and or talk about sex. There were some children in the audience so the people that looked under sixteen looked very uncomfortable. I completely understand why they acted that way. I dont think Anna in the Tropics was written for an underaged group so the reactions I saw from them were understandable. The elder people on the other hand, people over the age of 18, also responded in weird ways. There were people that really got excited/amused when these scenes happened, those who seemed disgusted or annoyed, and those who just like the younger kids seemed to be uncomfortable. I'm part of the group of people that were excited when these scenes happened. I was amused because I did not see those type of things happening in this play. I expected it to be clean and sweet wholesome love. To my suprise there were affairs and a lot of lust going on, so it was nice to see this type of thing going on. There was only one point where I felt uncomfortable with a paticular intimate scene was when the eldest daughter started to kiss her husband. I felt awkward along with some other people watching this paticular scene because they were kissing with no emotion and at that moment I felt like they broke character because the kisses looked really fake. If they were executed a little better the uncomfortable feeling that some of the audience members got probally wouldn't have happened. As soon as we saw the look of a "staged" kiss and not a really passionate one it just looked like two people kissing that didnt really like each other.
Last but not least on my way home I could not stop talking about the lector because he was so handsome and Corinna because she was amazing and I had no idea she was such a wonderful actress.

Monday, October 11, 2010

MiMe





When you think of a mime you usually think of the person in the box with black and white makeup [Kind of like this picture]. A great example of a mime would have to be Marcel Marceau. He does everything a mime is supposed to do. He acts out the entire scene with no dialogue and with his movement gives you an idea of what is going on.  This type of art is close to dance but is not at all the same. Dancers dance with sound of the music, rythm, and the way they move whereas mimes are more focused on telling a story and setting a scene with their body language.

History
The Mime is said to be one of the oldest forms of expressing yourself.  During the time where there was no set language or when they were getting a language together they used the term mime to show what they needed or wanted at the time. So in the beginning it wasn't even started as a form of entertainment or theater it was just a way they communicated. After a while it then started to be seen as theatrical and really started in ancient greece. Their performances were similar to the ones we have now with mimes. They acted out scenes with really exaggerated movements and no dialouge. It all began in the theatre call Dionysus. The actors that performed in these shows would wear white masks and would perform for a crowd of 10,000 during the day. At times they would perform in honor of their god Dionysus who is also known as the god of theatre. The most intricate form of mime is called hypothesis. Hypothesis focuses more on showing the audience who that character is rather than spending a lot of time on developing a plot. The christian church did not like the mime's performances, but as time went on the church began to relax and in a way accepted these acts.

This is a picture of Etienne Decroux.  Unlike Marcel Marceau who did illusionary mime he did statuary mime. He was called the father of mime in france.  1928 is when he started to really get into mime .









This is a piece by a mime called MiMo chipsa. He seems to be doing a traditonal mime routine. He really sets the scene and after a while of watching you really understand and see the whole picture.


Work cited


Anderson, By Jack. "Etienne Decroux Is Dead at 92 - Master of Modern French Mime - Obituary - NYTimes.com." The New York Times - Breaking News, World News & Multimedia. 21 Mar. 1991. Web. 12 Oct. 2010.

Felner, Mira, and Claudia Orenstein. The World of Theatre: Tradition and Innovation. Boston: Pearson/Allyn & Bacon, 2006. Print

"The History of Mime." Tripod - Succeed Online - Excellent Web Hosting, Domains, E-mail and an Easy Website Builder Tool. Web. 11 Oct. 2010.



Tuesday, September 28, 2010

Haitian Carnival

This is a picture of some haitians dancing in the carnival dressed as africans and some regular people that live there.  A carnival in Haiti is a very unforgettable experience where people from the islands and Diaspora join to marvel at this grand performance. The location varies. It may take place at Jacmel, Port-Au-Prince, or any other place in Haiti. One thing that always stays the same is the high energy, excitement, singing, and dancing . It is said that the Carnival in haiti begins at a very holy time in the year.  It is a time where they repent and remain abstinent. At this time period many believers in Christ from everywhere in the world come to pray and fully in a submerge themselves with time of prayer and asking God for forgiveness. Besides the many christians coming many people from all over visit to watch this spectacular show.  The music is so enticing you cant help but dance and "try" to sing along.



In this video its basically one of the many carnivals really highlighting this one singer called Michel Martely nicknamed "Sweet Mickey". Its like a mini concert. The singer , who sings live, is on the stand while a huge amount of people surround him and sing along. Here he is singing classics and hits he has produced. By the by did you notice the pink bandana's on the heads of people? That's his signature color.


In his picture we have a more traditional dance going on. Here the dancers are doing a more traditional  piece rather than all the modern stuff they do in many of the Carnivals or Kanavals they have.

History and where it all came from a.k.a the boring part:

Carnival orginated from Rome back in the day to the medieval European countries. The history behind this shows how each carnival demonstrated a desire to express the culture with arts and some what dramatic gestures.  It began as a "festive revelry" (textbook pg. 136) but then turned into a more intricate theatrical performance. Amongst the 18th century, the europeans carried on with their masquerade type celebrations, but mostly as private get togethers.  When Romans released their slaves they were allowed to participate in the carnival but only if the would not do anything that would conflict with christian beliefs. It wasn't long till African influence began to take a hold on parade. For example the way they paraded throughtout different area's is now part of the carnival experience. Some other things like masks, bold costumes, drums, and dance are another thing you can see in present carnivals today.




Experience/Actually being there

From experience at these festivities you will usually get pushed and shoved. Everyone is dancing and jumping and many times the area you are in doesn't allow you to move as much. Its really fun but many times fights break out and there can be violence.It is common that you will see people having sex all over. Its kind of like a big orgi. Its not a good look for the many minors , like me, that attend. Also when there is a live perfomer and they are set up in the middle everyone wants to get close to the live band/ artist so that's where all the shoving and pushing comes into play. Just like how in a concert people want to get close to the artist performing the same goes for this type of carnival.


OH I'M HAITIAN :)
-I hope you enjoyyed it.







                                                 Work Cited

"Haiti Carnival, Carnival in Haiti." World Travel. Web. 30 Sept. 2010. http://travel.mapsofworld.com/haiti/carnival-in-haiti.html.
Felner, Mira, and Claudia Orenstein. The World of Theatre: Tradition and Innovation. Boston: Pearson/Allyn & Bacon, 2006. Print.

Web. 30 Sept. 2010. <http://www.hartford-hwp.com/archives/43a/345.html>.